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Towards the completion of something that will never be completed Towards the completion of something that will never be completed Sound from a distant space Dec. 3-13. 2015 Cheongju Art Studio Written by Min Hye Ahn (Independent Curator) Han Jin creates images by connecting memories. Afterwards, she mashes, unveils the images, and repeats the reassembling. The repetition is the vestige of denial, rather than a mere accumulation of paint and energy. She attemp..
Sound from a Distant Space Sound from a Distant Space 2015. 12. 03 - 12. 13 Cheongju Art Studio Written by Voc Sou Kim (Curator, Cheongju Museum of Art) Han Jin suggests a rather unique question regarding the already familiar form-painting. Among many artists advocating the form of painting, Han Jin’s perspective regarding painting is synesthetic. Painting aims at not just reproducing something visually to obtain question..
Outside of the gray zone : Mihye Cha, Jin Han Outside of the gray zone : Mihye Cha, Jin Han 2014. 04. 11 - 05. 31 Art Space Pool Written by Eunbi Jo (Chief Curator, Art Space Pool) Art Space Pool presents as its premier Pool production of 2014, the exhibition of Mihye Cha and Jin Han Outside of the gray zone: Mihye Cha and Jin Han (Apr.11- May.31.2014). Both artists discover with acute sense of view, the relation with the external world bas..
Poetic Monologue : a presence that exists somewhere behind some place Review #34 article : a journal of contemporary art Poetic Monologue : a presence that exists somewhere behind some place Outside of the Gray Zone Apr. 11 - May. 31. 2014 Art Space Pool Written by Nayeon Gu (Art history, Art Critic) A poet does not create a poem. A poem is something that exists somewhere behind some place It used to be there from a long time ago And a poet just goes on to find it..
A shadowed garden by a light,《dim. Garden》 A shadowed garden by a light, 《dim. Garden》 dim. Garden 29. Dec. 2011 - 26. Jan. 2012 DM Gallery Written by Nayoung Hur (Art Critic) "The walk slides toward the green door along the gray wall of a narrow and long corridor under a lowly placed roof. After passing by the dust flashing in between the several lost parts of the floor made by joining wood parts, long-closed metronome without sounds, a..
Vexations No.12 Vexations No.12 2021 Gouache and Pencil on Cotton Paper 34.8x49.8cm
Vexations No.11 Vexations No.11 2021 Gouache and Pencil on Cotton Paper 49.8x34.8cm
Vexations No.10 Vexations No.10 2021 Gouache and Pencil on Cotton Paper 49.8x34.8cm
Vexations No.9 Vexations No.9 2021 Gouache and Pencil on Cotton Paper 49.8x34.8cm ●
Vexations No.8 Vexations No.8 2021 Gouache and Pencil on Cotton Paper 49.8x34.8cm
Vexations No.7 Vexations No.7 2021 Gouache and Pencil on Cotton Paper 36x28cm ●
Vexations No.6 Vexations No.6 2021 Gouache and Pencil on Cotton Paper 36x28cm ●
Vexations No.5 Vexations No.5 2021 Gouache and Pencil on Cotton Paper 36x28cm ●
Vexations No.4 Vexations No.4 2021 Gouache and Pencil on Cotton Paper 36x28cm
Vexations No.3 Vexations No.3 2021 Gouache and Pencil on Cotton Paper 36x28cm ● "840번 반복하여 매우 느리게 연주하라. 사전에 최대한의 침묵 속에서 진지한 부동성을 준비해야 한다." 한 페이지로 작곡된 에릭 사티(Erik Satie)의 피아노 곡 벡사시옹Vexations 위에는 이와 같은 말이 적혀있다. 약 18시간 소요되는 이 곡을 연주하기 위해 연주자들은 중간에 화장실에 다녀 오기도하고 간식을 먹기도 하며, 반복을 세기 위해 840장을 복사하여 한 연주에 한 장씩 바닥으로 던지며 숫자를 센다. 그래서 작곡가의 원곡을 연주하거나 듣는 행위보다 연주 도중 불현듯 청중이 문을 닫고 나가는 소리, 객석의 대화 소리 혹은 연주자의 갑자기 빨라진 템포와 연주를 중단하는 순..
Vexations No.2 Vexations No.2 2021 Gouache and Pencil on Cotton Paper 36x28cm ●
Vexations No.1 Vexations No.1 2021 Gouache and Pencil on Cotton Paper 36x28cm ●
Folds and Folding No.3 지층과 습곡 No.3Folds and Folding No.32022Oil on Linen130.3x130.3cm  ●
About Endlessness No.4 광막한 No.4 About Endlessness No.4 2022 Oil on Linen 33.4x24.2cm ●
If I Settle on the Far Side of the Sea Op.1 내가 바다 끝에 머물지라도 Op.1If I Settle on the Far Side of the Sea Op.12022Pencil on Korean Mulberry Paper37x60cm    (Framed Size : 50x74x5cm)