Text (31) 썸네일형 리스트형 한진의 시법(詩法): 압운(押韻)의 시간, 해조(諧調)의 운율 한진의 시법(詩法): 압운(押韻)의 시간, 해조(諧調)의 운율 글. 안유리(미술 작가) A poem should not meanBut be.Ars Poetica by Archibald MacLeish 아치볼드 맥클리시의 ʻArs Poetica’는 라틴어로, ʻThe Art of Poetry’, 즉 시(詩)의 기법(技法) 혹은 시법(詩法)으로 옮겨 해석할 수 있다. 맥클리시가 제안하는 시(詩)가 갖추어야 할 또는 놓여 있어야 할 모습을 상상하며 따라 읽다가 결국 저 문장에 다다른다. 결국 시(詩)는, 그리고 예술은 어떠한 의미를 가지려 애쓰기에 앞서 존재해야만 하며, 그 존재한다는 것이 “그저 여기에 있다”의 증명은 아닐 것이다. ʻArs Poetica’의 뜻처럼, 예술가들은 자신만의 작품 세계가 구.. Kiaf SEOUL 2024_HIGHLIGHTS interview Jin HAN | Light Captured By Research, Exploration, And Reflection — Kiaf SEOUL{:en}kiaf.org Han Jin’s “Vexations”: The melody and the rhythm of ‘time exercises’ and ‘in-between space’ Han Jin’s “Vexations”: The melody and the rhythm of ‘time exercises’ and ‘in-between space’ ― The place of a flowing art that simultaneously engraves the traces of time and removes the stains of space Written by Ramhon Choe Jeong U(Composer, Philosopher) 1 I start with a simple thesis: Han Jin’s work is the art of a certain flow which shows us that visual art is a kind of ‘music’, or, more pr.. Representing Rhythm, Translating Rhythm Written by Meene An (Independent Curator) † Vexations Artist Han Jin has attempted to explain the more difficult to express portions of her works with patience, choosing appropriate examples and offering multiple explanations. To her, language is insufficient; however, it is also the only thing that can approximate the image, avoid a descent into intoxication while allowing the transposition to .. ELLE_입추에서 : 특별한 취향을 가진 7인이 추천한 가을 작품들 《ELLE》October 2023 Features입추에서 : 특별한 취향을 가진 7인이 추천한 가을 작품들Editor. Jeon Hye Jin, Jeong So Jin CINEMA Renaud Capuçon, 2018슬픈 카페의 노래 Carson McCullers, 2005CINEMA PARADISO Giuseppe Tornatore, 1988 특별한 취향을 가진 7인이 추천한 가을 작품들 -특별한 취향을 가진 7인이 추천한 가을 작품들 - 누군가에게 가을은 쓸쓸함을, 지독한 고독을, 어쩌면 풍요와 환희를 선사하는 계절이겠지요. 지금, 특별한 취향을 가진 7인이 추천한 작품들이www.elle.co.kr 지연의 윤리학_사진적인 것: 빛의 안식처 《지연의 윤리학》 김홍기 지음 November 2022 워크룸 프레스 ARENA_interview Q. How have you been since your solo exhibition, ≪Vexations≫? Tell us your some updates.A. I've been climbing mountains. Though field surveys aren’t going on smoothly with the pandemic and all, I've been materializing my thoughts for my next work as I visited mountains in my neighborhood. I’m in the middle of research, field surveys, and production since I came up with a theme and subject I want.. ART IN CULTURE_Hottest Artists 81 《Art In Culture》 December 2021 Art Market Hottest Artists 81 바람의 안쪽 #1 Inner side of the Wind #1 2017 Oil on Linen 130.3x130.3cm K-ARTS MAGAZINE_Cover 《K-ARTS MAGAZINE 32》 Winter 2019 Cover 마른 기억 Extended Edit 2008 Pencil on Paper 29.7x21cm THE NEIGHBOR_예술가의 영혼 속에 깃든 나무 《THE NEIGHBOR》 April 2019 Feature 나무의 마음 Editor. Seol Mi Hyun THE NEIGHBOR_연필의 힘 《THE NEIGHBOR》 July 2018 Art 연필의 힘 Editor. Seol Mi Hyun 월간 미술세계_review 《월간 미술세계》 December 2016 Vol.385 review 허락된 만큼만 숨어있겠습니다. 글. 유지원 (미학) K-ARTS MAGAZINE_Cover & View 《K-ARTS MAGAZINE 19》 Autumn 2016 작명 Cover & View ARTICLE_review 《article》 경향 아티클 May 2014 issue #34 review1 시적 독백: 저 뒤쪽 어디에 있는 것 글. 구나연 (미술사, 미술비평) 2021 ∵ An Artwork’s Beginning and End I seem to receive more and more questions about the beginnings and ends of my artworks. I still have been unable to find a satisfying answer to this question, and I am unsure if I was able to prepare one this time either. For me, a work does not begin the moment I set up the canvas or pull out a piece of paper. Every moment I am taking things in and storing them .. 2018 The trace left after a big loss cannot be easily replaced with something else. A painting is an active process and behavior of respecting the remembered emotions, thereby engraving them. This process is something that cannot be put into a concrete noun. So, I prefer to express it as 'something that coherently condenses internally, eventually firmly settling in its place.' This expression illustr.. 2016 For me, sensing the reality and continuing the memories are akin to recognizing the sounds. The objects subjected to visualization that are beyond the boundaries of sounds are scattered by leaving vague silhouettes behind or are rather being grouped into similar images. Thus, to see something is like reacting to the sounds embedded in the object even before seeing the visual image. This is where.. 2015 The reality recedes two verses behind. The search for the two verses that flew behind at a moment when it was nearly offbeat, recalls the unconsciously remembered landscape. The similarity of the landscapes is that although the very object that directly influenced them for a prolonged period of time had already dissipated, they still embody the ‘aural texture’, which is the condensation of the r.. 2014 I focus more on the flow felt by the movements of the observed subject rather than the original forms or the location of the subject. The empathy gets more profound when I confront a landscape that is on verge of life and death, barely allowing itself to bloom and fall off. Even the quiet grazing sounds, small movements of the landscape make me to want to listen more of the feeling of the landsc.. 2013 There, wind blows in the late autumn. I open my eyes before the complete surrender of the grasses, and the onset of sleep of every living thing. With the hope of blooming again, I push forward every day toward the miracle of being able to live again. The life has stopped with the start of a new millennium. The soul of the paused life rubbed its body against the landscape. Slowly and slowly, the .. 이전 1 2 다음