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Matryoshka Matryoshka 2008 Pencil on Paper 29.7X21cm
Little Suite Little Suite 2008 Pencil on Paper 29.7x21cm
Isorhythm Isorhythm 2009 Pencil on Paper 78.8x109cm
AM 6:30 AM 6:30 2009 Pencil on Paper 78.8x109cm
Dreamy, Dreamy eyes Dreamy, Dreamy eyes2008Gouache and Pencil on Paper21x29.7cm
Stood Still Stood Still 2008 Pencil on Paper 21x29.7cm
One Bowl Op.2 One Bowl Op.22008Pencil on Paper21x29.7cm
About Timelessness Op.2 빈 잠 Op.2About Timelessness Op.22008Pencil on Paper21x29.7cm
Acorn Hill Acorn Hill 2008 Pencil on Paper 21X29.7cm
Alone Together 서로가 혼자가 Alone Together 2008 Pencil on Paper 21x29.7cm
Homesick Homesick 2008 Pencil on Paper 21x29.7cm
Without Water, Without Grassland 물도 없이, 들도 없이 Without Water, Without Grassland 2008 Pencil on Paper 21x29.7cm
ChillChillChill ChillChillChill 2008 Pencil on Paper 21x29.7cm
About Timelessness Op.1 빈 잠 Op.1About Timelessness Op.12008Pencil on Paper21x29.7cm
Charm Bracelet Charm Bracelet 2008 Pencil on Paper 21X29.7cm
CV Han Jinb.1979jhan0916@gmail.com Han Jin (b.1979) visualizes the presence of things that, like muk-eum (默音)-written but never pronounced-exist only to vanish at unexpected moments. She believes that disappearance is not an end but a movement toward another form of existence. By tracing loss, absence, and transformation, she treats them as vital clues that modify and expand memory. Through extens..
2021 ∵ An Artwork’s Beginning and End I seem to receive more and more questions about the beginnings and ends of my artworks. I still have been unable to find a satisfying answer to this question, and I am unsure if I was able to prepare one this time either. For me, a work does not begin the moment I set up the canvas or pull out a piece of paper. Every moment I am taking things in and storing them ..
2018 The trace left after a big loss cannot be easily replaced with something else. A painting is an active process and behavior of respecting the remembered emotions, thereby engraving them. This process is something that cannot be put into a concrete noun. So, I prefer to express it as 'something that coherently condenses internally, eventually firmly settling in its place.' This expression illustr..
2016 For me, sensing the reality and continuing the memories are akin to recognizing the sounds. The objects subjected to visualization that are beyond the boundaries of sounds are scattered by leaving vague silhouettes behind or are rather being grouped into similar images. Thus, to see something is like reacting to the sounds embedded in the object even before seeing the visual image.This is where ..
2015 The reality recedes two verses behind. The search for the two verses that flew behind at a moment when it was nearly offbeat, recalls the unconsciously remembered landscape. The similarity of the landscapes is that although the very object that directly influenced them for a prolonged period of time had already dissipated, they still embody the ‘aural texture’, which is the condensation of the r..